Sabtu, 23 Oktober 2010

[C332.Ebook] Free Ebook Verbal Art As Performance, by Richard Bauman

Free Ebook Verbal Art As Performance, by Richard Bauman

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Verbal Art As Performance, by Richard Bauman

Verbal Art As Performance, by Richard Bauman



Verbal Art As Performance, by Richard Bauman

Free Ebook Verbal Art As Performance, by Richard Bauman

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Verbal Art As Performance, by Richard Bauman

This highly insightful and stimulating collection of relevant studies on verbal performance (artistic action and event), seen from the point of view of sociolinguistics, linguistic anthropology, folklore studies and semiotics, represents a clear assembly of perspective and methodology. The initial essay is succinct and suggestive, and the scope of the theory is exemplified by four supplementary essays. The book provides readers of folklore, anthropology, linguistics, or any field interested in performance and its verbal dimensions with excellent background material for a contrastive approach to narrative, ritual, and ceremonial forms of verbal behavior in different sociocultural settings.

  • Sales Rank: #1051778 in Books
  • Brand: Brand: Waveland Pr Inc
  • Published on: 1984-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 5.75" w x .50" l, .45 pounds
  • Binding: Paperback
  • 150 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
One of the seminal texts about the theme, a ...
By Lucio Agra
One of the seminal texts about the theme, a source to the researchs in linguistics and arts fields. It has been also running as a reference to performance art and performance studies.

0 of 0 people found the following review helpful.
Folklore as performance
By Christopher R. Travers
This short paperback discusses various aspects of verbal art, particularly in the folklore and folktale context, as performance rather than simply as repository of lore. The first essay lays out a basic theory as well as some aspects of performance theory as applied to performances of folktales. The supplemental essays expand on these points and provide examples in action.

Although the book is short, it is also dense and rich, providing great opportunities to rethink how we address traditional storytelling. Great book, and if it is of interest, I'd also recommend: The Singer of Tales

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