Kamis, 26 Juli 2012

[T403.Ebook] PDF Download Space Time & Architecture: The Growth of a New Tradition, 3rd Edition, by Sigfried. Giedion

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Space Time & Architecture: The Growth of a New Tradition, 3rd Edition, by Sigfried. Giedion

  • Sales Rank: #1382831 in Books
  • Published on: 1954
  • Number of items: 1
  • Binding: Hardcover
  • 778 pages

Most helpful customer reviews

1 of 13 people found the following review helpful.
brief and to the point
By A Customer
90 per cent of books in a typical bookstore are not worth the paper they are written on. This is NOT one of those books. The concepts presented in this book are profound. It is the best book I own.

18 of 20 people found the following review helpful.
A dated manifesto whose time has passed
By Michael S. McGill
This book is vast in its ambitions, uneven in its analysis, and badly dated in its defense of modern architecture. Giedion's basic premise is that the Industrial Revolution caused a separation to occur between thinking and feeling, this separation was exemplified by what he considers derivative architecture during the 19th century, and that it is up to the modern movement to reunite these two spheres by combining emotions with a scientific approach to architecture, and by adding the dimension of time to its three dimensional depiction of space. His historical analysis is quite erudite, but his treatment of the major architects who founded the modern movement, particularly Gropius and Le Corbusier, verges on hagiography. For instance he considers Gropius' PanAm building in New York, and Le Corbusier's Carpenter Center at Harvard to be great works of architecture, when contemporary critics view these as among their worst. The only American architect given comparable attention is Frank Lloyd Wright. The book flounders at the end in its speculation about the future, praising Le Corbusier's advocacy of separating people from cars by building elevated highways, and housing people in slablike high rise towers. Considering that Pruitt-Igoe was already, at the time of his final revision to his book, failing in St. Louis as an approach to house poor families (it was later blown to smithereens as a total disaster), this advocacy of housing people in high rises rings hollow indeed. He also advocates separating functions in a city, at a time again during his final revision, when Jane Jacobs "Death and Life of Great American Cities" was revolutionizing city planning by advocating just the opposite. It is worth reading because it makes you think, but it is badly dated.

34 of 34 people found the following review helpful.
A history of linear progression
By A Customer
This book is based on lectures Giedion gave at Harvard 1938-39. It is considered a modernist manifesto and after WW II, and well into the 1960s, it was often used in the training of architects all over the western world. European readers found the book interesting primarily because of it's section on the American history of architecture. The subtitle - The growth of a new tradition - refers to Giedion's conviction that the modern movement was the logical outcome of what he saw as a linear historical development. To make his case he gives his version of the history of architecture, and a big portion deals with the industrial era and how new technologies changed architecture and society as a whole. Giedion's all-inclusive way of reasoning was inspired by his teacher Heinrich Wölfflin. He also admired Wölfflin's mentor Jakob Burchardt. Giedion's mission is clear and he states that laissez faire mentality hinders development and that with common goals and values the world would be able to make changes for the better on a grand scale. Today the book in my view is primarily interesting as a time document and it gives insight into the modernist world of universal ideals.

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Selasa, 17 Juli 2012

[F210.Ebook] Fee Download New Jersey Law Enforcement (LEE) 2016 Exam Review Guide, by Lewis Morris

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Learn how to pass New Jersey Law Enforcement Exam (LEE) and become one of New Jersey's Finest. The number of candidates taking the exam has increased dramatically in recent years, reflecting the desirability of the profession. In order to succeed against this increased competition, the candidate must be prepared to tackle the unique question types found on the exam. This book contains the most up to date and accurate information to help you prepare for the New Jersey Law Enforcement Exam (LEE). Written using lessons learned from the latest exam updates, this manual squarely prepares the reader for all of the exam sub-areas including expanded sections on the Personality and work history sections.

  • Sales Rank: #123518 in Books
  • Published on: 2016-07-13
  • Original language: English
  • Dimensions: 9.00" h x .32" w x 6.00" l, .42 pounds
  • Binding: Paperback
  • 138 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Good book for a review!

0 of 0 people found the following review helpful.
Five Stars
By Claudio F.
Very helpful.

0 of 0 people found the following review helpful.
Great material
By Nigel Golding
Great to study with and practice. It helped me a lot with my LEE exam. Went over all the important things.

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Rabu, 11 Juli 2012

[I102.Ebook] Download Ebook On Rope, by Allen Padgett, Bruce Smith

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From dust jacket notes: "If you need to go up and down fixed ropes, this is the book you've been waiting for. On Rope is already being hailed as the bible of vertical or single rope techniques (SRT). Its 300 plus pages contain the most definitive text on rope techniques yet published, supported by over 425 detailed drawings, eight comprehensive comparison charts, three how-to workshops, and an extensive glossary....On Rope is sponsored by the Vertical Section of the National Speleological Society - the group whose members have pioneered the development of new rope techniques for nearly 30 years. It is the creation of two active members of the Vertical Section whose wide ranging experiences include vertical cave exploration and search and rescue on a national level. On Rope covers everything you need to know from ropes, knots, and harnesses, to ascending, descending, and belaying - plus a detailed program for training and practicing ropework. On Rope is equally valuable for beginning and advanced users of vertical rope techniques...."

  • Sales Rank: #2131627 in Books
  • Brand: Brand: Natl Speleological Society
  • Published on: 1987-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.25" h x 8.75" w x 1.25" l,
  • Binding: Hardcover
  • 342 pages
Features
  • on rope - bible of vertical or
  • single rope techniques; 300 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
well worth the money
By Toby Budden
i was reluctant to buy this book due to the cost and that it never seems to go on sale. all i can tell you there was i was nuts to not think it would be worth it. there is so much information crammed in here. it is very well written. there are awesome pictures and diagrams on how to rig. the author tells you want tackle or hardware to use where. there is absolutely no substitute for a good teacher in the climbing world. but this book is a great standby to remind you. if you took the time to read my review, thank you, and you should have already bought this book.

0 of 0 people found the following review helpful.
An excellent resource for those that rely on ropes for work ...
By randell perkins
An excellent resource for those that rely on ropes for work and play. Well written, clear explanations of why and when you would use a certain technique and adequate photos to aid in the explanations.

2 of 2 people found the following review helpful.
ON ROPE
By J & G Simons
It has a lot of good information, BUT the illustrations are very amateurish and child like, when I pay almost $40.00 dollars for an illustrated book I want good illustrations! In my estimation the book is only worth about at the most $20.00 dollars. Try and find a used copy!

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Jumat, 06 Juli 2012

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Over 35 hands-on recipes to efficiently master the art of behaviour-driven development using Cucumber-JVMAbout This Book

  • Create a test automation framework to handle web, REST, and native mobile application automation
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Who This Book Is For

This book is intended for business and development personnel who want to use Cucumber for behavior-driven development and test automation. Readers with some familiarity with Cucumber will find this book of most benefit.

Since the main objective of this book is to create test automation frameworks, previous experience in automation will be helpful.

What You Will Learn
  • Explore the usage of the Gherkin Language to write meaningful and smart Feature files
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  • Discover the concepts of Glue Code and Step Definitions in detail
  • Gain insights into the different types of Step Definitions, Regular Expressions, Doc Strings, Data Table transformations, and Capture Groups
  • Master the advanced concepts of implementing Tags and Hooks
  • Override default Cucumber options and settings along with different output report formats
  • Run Jenkins and Cucumber from Terminal while running various Cucumber Scenarios in parallel
In Detail

Today, behaviour-driven development (BDD) is gaining popularity around the world. Cucumber-JVM is one of the fastest growing tools and offers a cutting-edge platform for conceptualizing and implementing BDD. The variety of features available within Cucumber enhances the experience of implementing BDD for both business and development teams.

This book provides you with the skills you need to successfully create, customize, and configure the Cucumber framework. You will discover how to create Feature files, and Step Definitions, and enable various configurations, such as "Before" and "After" functions, with fun exercises. You'll round off your learning by creating automation frameworks to automate Web, REST, and Mobile apps.

  • Sales Rank: #1043417 in eBooks
  • Published on: 2015-06-02
  • Released on: 2015-06-02
  • Format: Kindle eBook

About the Author

Shankar Garg

Shankar Garg is an Agile enthusiast with expertise in automation testing. Currently, he is working as a senior consultant, testing with Xebia IT Architects, India. He started as a Java developer but his love for breaking things got him into testing. He has worked on the automation of many projects for web, mobile, and SOA technologies. Right now, he is in love with Cucumber, Selenium, Appium, and Groovy. Prior to working with Xebia, he worked for Jabong.com, Honeywell, and Tata Consultancy Services (TCS). He is a Certified Scrum Master (CSM), Certified Tester (ISTQB), Certified Programmer for Java (SCJP 5.0) and Oracle 9i (OCA).

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent Book
By S
Well written and clearly laid out..You have clearly articulated the Mobile testing and the REST API test aspects

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Kamis, 05 Juli 2012

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When does an empire fall?
The Seven Satrapies have collapsed into four-and those are falling before the White King's armies.
Gavin Guile, ex-emperor, ex-Prism, ex-galley slave, formerly the one man who might have averted war, is now lost, broken, and trapped in a prison crafted by his own hands to hold a great magical genius. But Gavin has no magic at all. Worse, in this prison, Gavin may not be alone.
Kip Guile will make a last, desperate attempt to stop the White King's growing horde. Karris White attempts to knit together an empire falling apart, helped only by her murderous and possibly treasonous father-in-law Andross Guile.
Meanwhile, Teia's new talents will find a darker use-and the cost might be too much to bear.
Together, they will fight to prevent a tainted empire from becoming something even worse.

LightbringerThe Black PrismThe Blinding KnifeThe Broken EyeThe Blood Mirror
For more from Brent Weeks, check out:
Night AngelThe Way of ShadowsShadow's EdgeBeyond the Shadows
Night Angel: The Complete Trilogy (omnibus)Perfect Shadow: A Night Angel Novella (e-only)The Way of Shadows: The Graphic Novel

  • Sales Rank: #689 in eBooks
  • Published on: 2016-10-25
  • Released on: 2016-10-25
  • Format: Kindle eBook

Review
"Brent Weeks has a style and immediacy of detail that pulls the reader relentlessly into his story. He doesn't allow you to look away."―Robin Hobb

"The Lightbringer series is great fun. Nobody does break-neck pacing and amazingly-executed plot twists like Brent Weeks."―Brian McClellan, author of Promise of Blood

"His plot feels like an orchestrated chess match between genius grandmasters."―Publishers Weekly on The Broken Eye

"The Blinding Knife was even better than the The Black Prism (and that's saying something!)"―B&N.com on The Blinding Knife

"Brent Weeks is so good it's starting to tick me off."―Peter V. Brett, New York Times bestselling author of The Desert Spear on The Night Angel Trilogy

"The Blinding Knife is a wonderful work of high fantasy with engaging characters facing the perfect antagonists, set in a creatively-wrought and increasingly chaotic world brimful of imaginative magic and interesting politics. Weeks holds fast to the traditions of his genre while adding a compelling new flavor."―The Ranting Dragon

"One of the best epic fantasies I've ever read."―Staffer's Book Review on The Blinding Knife

"Weeks manages to ring new tunes on...old bells, letting a deep background slowly reveal its secrets and presenting his characters in a realistically flawed and human way."―Publishers Weekly on The Black Prism

"...A solid, entertaining yarn."―The Onion A.V. Club on The Black Prism

"Weeks has written an epic fantasy unlike any of its contemporaries. It is a truly visionary and original work, and has set the bar high for others in its subgenre."―graspingforthewind.com

"One of the best Fantasy books of 2012!"―A Dribble of Ink on The Blinding Knife

About the Author

Brent Weeks was born and raised in Montana. He is the New York Times bestselling author of the Night Angel trilogy and the Lightbringer series, among others. He lives in Oregon with his wife.



Simon Vance is an award-winning actor and an AudioFile Golden Voice with over forty Earphones Awards. He has won thirteen prestigious Audie Awards and was Booklist s very first Voice of Choice in 2008. He has narrated more than eight hundred audiobooks over almost thirty years, beginning when he was a radio newsreader for the BBC in London.

Most helpful customer reviews

48 of 51 people found the following review helpful.
Mixed Bag
By S. A. Ford
Well, that was disappointing. Kind of.

First off, I feel I must warn potential readers that Blood Mirror is not, in fact, the last book in the Lightbringer series, as I thought, but rather the second to last. Undoubtedly, this unknown fact (to me) somewhat soured my experience of the book as a whole and, undoubtedly, I am somewhat to blame for not double/triple-checking the series length BEFORE reading. After all, fantasy authors do, unfortunately, have a habit of stretching things out once they have a hit on their hands. Weeks having changed it once from a trilogy to a quadrilogy(?) already, I thought this series was safe. Locked in. Apparently not. But, I digress. To the actual *penultimate* book itself.

Despite the initial grievance, this is not a bad book. Indeed, there is a lot of good stuff here, a lot of creativity, a lot to admire. The magic system, the fun interplay (for the most part) between the characters, the surrounding mythos of the world--all of that is still here. Some of it is expanded upon or, even, improved.

Kip, in particular, sees vast improvement in this installment. Previously, I must admit that I have always disliked this character and his POV chapters and I bemoaned it when the series began to shift away from Gavin and more toward his whinging (albeit fake) bastard. He was annoying and unfunny in a particularly painful, cringe-worthy sort of way (and not in the cute, adorkable way that Weeks was obviously trying very, very hard to evoke). In this book, however, his maturity grows in leaps and bounds and the evolving relationship between him and Tisis is one of the Blood Mirror's stronger points. So, yes, I actually found myself liking a few of Kip's POVs this time around, which was something of a shock.

Karris and Teia, meanwhile, are both serviceable. Neither have any WOW moments, but they both have stuff to do and that stuff is generally interesting. And that's all I have to say about that.

Gavin, though, is the best, as always,and he remains the primary reason I read this series. As in the Broken Eye, there is too little of him here when compared to the other POVs--but, as I expected this, I didn't mind the focus on the other characters overmuch. With him, the story always crackles on the page, and this book is no different.

I will quibble slightly, however, and say that it is in his plot line you can feel the stretching of these books the most. It's quite clear, as it was in the last, that Gavin's plot is ready to move on, to get going toward the end-game, but because Kip's and the rest aren't, Weeks has to make Gavin's chapters shorter and sparser and, in a sense, very Rand al'Thor-esque (which is both good and bad, as you Wheel of Time fans ought to know).

As for the actual writing, it is, like in the previous three, uneven. Weeks' inner dialogues go on far too long, explain things far too much, spell out what exactly precisely specifically the characters are feeling at all times, and generally illustrate an overall lack of trust in his reader to intuit anything on their own. If not for the cursing and violence, this series could very easily be put in the YA category. Every now and again, though, Weeks will go on these wonderful little runs that are both surprising and beautiful. A paragraph, a bit of dialogue, that is genuinely moving.

But alas, similarly, the tone is also all over the place. One minute characters are making fart jokes, the next they're saying ridiculously melodramatic things like 'I am become death'. Also, a character directly quotes Sartre, somehow, some way, and for some reason.

Basically, with Weeks one learns to take the good with the bad. Great, creative ideas; wildly varying execution of those ideas.

As for the last couple critiques, I fear I must dip briefly into virgin waters. So be warned:

SPOILERS AHEAD

Let's just cut right to the heart of the matter, shall we? Ret-conning. Others here have accused Gavin's backstory as presented in Blood Mirror as a rather extreme form of ret-conning, and I have to agree. At the very least, it feels something as a cheat. We the readers have always recognized the fact that it was a ridiculous notion that fake-Gavin had managed to smuggle real-Gavin into the center of a bustling, paranoid city and imprison him there without anyone the wiser. But the books previous to this one never wavered in the conviction of that notion and so we, the readers, went with it. We accepted it. Hell, we even got several POV chapters of real-Gavin trying to escape.

But now, it turns out that we were all just having a grand shared fictional hallucination--because real-Gavin was actually never imprisoned, he was killed by fake-Gavin ages ago, during their last battle. Mind blown, I suppose, even if it feels as though this was a twist either made up completely on the fly, or well after the second book was written.

There are other revelations made to fake-Gavin down in his colored prison that I won't go into here as, for the most part, they worked. This Fight Club twist was the only one that really had me rolling my eyes. Heavily

Now, on to the much maligned subplot with Tisis and her uncooperative loins. Yes, you read that right. There is a goodly portion of this book, an epic fantasy/adventure, devoted to a young teenage couple being unable to consummate their marriage due to the clenched too-tight muscles of a lady's nethers. Reading the other reviews, a lot of people seemed to have some hate for this one, but honestly I didn't mind it. It dragged on for far too long (penetration is only achieved, in fact, in the very last chapter and on the very last page of the book, which is--to be frank--an odd choice) and it reminded me of a 30 Rock episode wherein Liz Lemon experiences the very same problem, which made me chuckle a little every time the problem was brought up. But overall, eh. It was fine. Sort of weird, not in that this issue exists, but in that so much time and word space was devoted to it. But fine and it didn't ruin the book for me by any stretch.

END OF SPOILERS

So, yeah, basically you already know if you're buying Blood Mirror or not. If you've read the previous three, you're buying it. I'll just add that you don't have to worry about Wheel of Time levels of filler here. Stuff actually happens. There is also no absolutely egregious cliffhanger (ala Dance of Dragons/Walking Dead). And the next book, book 5, has a BUNCH of cool stuff set up to happen. So. Nothing to worry about. Yet. But if a Book 6 is ever announced, yeah. Ima be worried.

Otherwise, my fellow fantasy chums, we all of us settle back in for the long wait. Doors of Stone, Winds of Winter, Stormlight 3, etc, etc, and now another Lightbringer book. So. Here's to hoping the end next promised us is actually that: an end.

5 of 5 people found the following review helpful.
Too much filler and not enough moving of the plot
By A.K.
This book just isn't as good as the others. There's a ton of filler that doesn't further the plot. Seriously didn't need an entire segment of the book dedicated to bedroom problems. I read fantasy books to escape reality for a little bit and the filler was just painful.

4 of 4 people found the following review helpful.
Unfortunate.
By William Hardy
First three books were great, interesting characters and plenty of action. This one is a bit of a slog. It feels lacking direction and there are many, many paragraphs that are just a waste. Chapters are short, and you switch characters every single chapter- it's hard to even find your bearing sometimes. We might be at the infamous downturn of a great series. Unfortunate, I really liked the premise.

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  • Sales Rank: #8076341 in Books
  • Published on: 2015-06-15
  • Dimensions: 10.00" h x 7.00" w x 3.00" l,
  • Binding: Hardcover
  • 2880 pages

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Information Choice in Macroeconomics and Finance, by Laura L. Veldkamp

Most theories in economics and finance predict what people will do, given what they know about the world around them. But what do people know about their environments? The study of information choice seeks to answer this question, explaining why economic players know what they know--and how the information they have affects collective outcomes. Instead of assuming what people do or don't know, information choice asks what people would choose to know. Then it predicts what, given that information, they would choose to do. In this textbook, Laura Veldkamp introduces graduate students in economics and finance to this important new research.

The book illustrates how information choice is used to answer questions in monetary economics, portfolio choice theory, business cycle theory, international finance, asset pricing, and other areas. It shows how to build and test applied theory models with information frictions. And it covers recent work on topics such as rational inattention, information markets, and strategic games with heterogeneous information.


  • Illustrates how information choice is used to answer questions in monetary economics, portfolio choice theory, business cycle theory, international finance, asset pricing, and other areas

  • Teaches how to build and test applied theory models with information frictions

  • Covers recent research on topics such as rational inattention, information markets, and strategic games with heterogeneous information

  • Sales Rank: #657791 in Books
  • Published on: 2011-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .80" w x 6.20" l, 1.00 pounds
  • Binding: Hardcover
  • 184 pages

Review
"The book is well structured and well written. . . . Veldkamp does an excellent job combining different streams of the literature of information choice. This book helped me a lot to give a structure to my partial knowledge on imperfect information."--Christian Merkl, Journal of Economics

From the Back Cover

"This book synthesizes and extends recent research on the role that imperfect and dispersed information plays in macroeconomics and finance. By way of many examples and applications, Laura Veldkamp forcefully argues that research in this area should more strongly emphasize how information is produced and exchanged, and how agents choose their information. The book discusses new modeling approaches and new applications, draws many connections between different topics, and covers new techniques. While covering this new theoretical ground, Veldkamp insists on explaining stylized facts, addressing empirical puzzles, and generating testable predictions."--Pierre-Olivier Weill, University of California, Los Angeles

About the Author
Laura L. Veldkamp is associate professor of economics at New York University's Stern School of Business.

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0 of 0 people found the following review helpful.
Good for researchers
By Matias
I bought this book because I wanted to know how to solve some specific endogenous information problems that I wanted too look at. This book is very useful for researchers looking for interesting and novel research ideas. The field of endogenous information have a lot of potential and the mathematical methods are not extremely difficult.

0 of 0 people found the following review helpful.
Succint, easy to digest
By Artturi Björk
Book contains an exposition of some economic models in which information and sometimes information choice plays a role. It is written clearly and even tho there is a bunch of overlap between the models there is not too much repetition.

0 of 0 people found the following review helpful.
Great book. Very succinct
By yongqin wang
Great book. Very succinct, well organized and easy to follow. The author is a leading economist in the field.

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The Maeght Family: A Passion for Modern Art, by Isabelle Maeght, Yoyo Maeght

If modern art has a “first family,” it might very well be the Maeghts, whose gallery in Paris provided a literal and figurative base for so many 20th-century masters.

Here for the first time ever in book form is the story of this extraordinary family, filled with illustrations and documents by some of the legendary artists associated with it: Matisse, Braque, Duchamp, Miró, Chagall, Calder, Kandinsky, Giacometti, and many others. Spinning this remarkable tale with an authority and in-depth knowledge that only family members could provide, Isabelle and Yoyo Maeght recount key events in the family’s life, including the Maeghts’ greatest legacy of all, the world-renowned Aimé and Marguerite Maeght Foundation, home to some of the greatest masterpieces of modern art and an architectural marvel in its own right.

  • Sales Rank: #1748394 in Books
  • Brand: Brand: Harry N. Abrams
  • Published on: 2007-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.50" w x 9.25" l, 4.39 pounds
  • Binding: Hardcover
  • 312 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Really good purchase
By Mimble
I was extremly impressed with this book when it arrived. Really good value for money and jam packed with quality reproductions of classic art works. I didn't know about the Maeght Family when I bought the book and it turned out to be a really interesting education. Definitely recommended.

1 of 1 people found the following review helpful.
Amazing family
By David M.
Here is a concise chronology of a great art family of the 20th century. Crisp pictures help you visualize the glory of not only the foundation museum but their creative output and how they lived.

0 of 1 people found the following review helpful.
mellow family portrait of sly art dealer
By Chris Reinewald
Met zijn instinct voor kunst zorgde Aimé Maeght en zijn galeries in Parijs en Barcelona ervoor dat werk van Bracque, Giacometti, Miró, Matisse, Calder en Chagall in belangrijke particuliere en museumverzamelingen kwamen.
Daarbij liet de kunsthandelaar in het zuid-Franse St Paul de Vence de prachtige Fondation Maeght, een privé-museum met zijn collectie, bouwen.
Kleindochter Yoyo Maeght geeft in een lijvig fotoboek vooral een beeld van de dynastie waartoe zij behoort. Inhoudelijk laat ze echter vrijwel niets los over haar grootvader en diens vaak bikkelharde manier van kunst-zakendoen.

Over hoe je de naam Maeght uit Hazebrouck, Frans Vlaanderen uitspreekt, bestaan verschillende opvattingen, "Maagd" is uiteraard correct maar in de Franse dagelijkse praktijk lijkt "mèkt" meer voor de hand te liggen.
Er bestond overigens een (minieme) kans dat Aimé Maeght (1906-81) een Nederlandse kunsthandelaar van wereldformaat zou zijn geworden. Als gevolg van de Eerste Wereldoorlog in 1915 vluchtten zijn moeder en haar vier kinderen namelijk naar ons land. Vader Maeght, werkzaam bij het spoor verdween eerder bij eerdere oorlogshandelingen in 1914. Een jaar later werd het ouderlijk het huis plat-gebombardeerd. Een jaar later bracht het Rode Kruis het gezin Maeght naar de Cévennes.
Met het heerlijk in een Meditterane zon gekoesterde privémuseum Fondation Maeght, dat in 1964 opent, lijkt de geliefde (=Aimé) zich te revancheren op zijn onrustige vroege jeugd en het latere verlies van zijn tweede zoon.
Aimé's ontwikkeling tot kunsthandelaar en maecenas is echter vooral aan zijn zuid-Franse vrouw Marguerite Devaye te danken. Het paar trouwt in 1928.
Aimé is dan affichedrukker; een vak dat hem altijd blijft boeien en inspireert tot de prachtig gelithografeerde edities en het fameuze kunstenaarscahier `Derrière le Miroir', dat bij iedere galerie-expositie zal verschijnen. Marguerite opent in 1936 in Cannes een winkeltje waar zij luxe huishoudelijke voorwerpen en radio's verkoopt. Door zijn affichedrukkerij ontmoet hij de post-impressionistische schilder Pierre Bonnard, die ooit zelf litho's drukte. Bonnard complimenteert Maeght met zijn drukwerk en raakt met hem bevriend. Aimé wordt tussen 1939 en 1940 vanwege de Tweede Wereldoorlog in Toulon gemobiliseerd bij de infanterie maar keert na de Franse capitulatie terug naar huis. Marguerite stelt haar winkel ondertussen steeds vaker open voor exposities van lokale kunstenaars. Door hun vriendschap met de plaatselijke politicus en galeriehouder Jean Moulin in Nice krijgen de Maeghts interesse in de meer professionele kant van de kunsthandel. Als Moulin vanwege zijn verzetsdaden in 1943 wordt opgepakt en geëxecuteerd wordt verhuizen Moulins secretaris en de Maeghts veiligheidshalve naar Vence.
Doordat Maeghts familie in etenswaren handelt lijdt men zowel fysiek als financieel geen gebrek.
Bonnard stelt hen voor aan zijn vriend Henri Matisse die kort daarop een serie portretten van Marguerite maakt. In 1944 vraagt hij Aimé hem te vergezellen naar zijn Parijse atelier waar hij sinds zijn verhuizing naar Le Cannet niet meer komt. In parijs haakt Bonnard Maeght over om de Schoeller Galerie over te nemen. De oorlog heeft de Franse kunsthandel volledig lamgelegd. Als Maeght in oktober 1945 aan de Rue du Téhéran in Parijs zijn eerste galerie opent neemt hij een enorme voorsprong op zijn vooroorlogse collega's.

Aimé's eerste expositie is er een met nieuw werk van Matisse. Deze laat zich in de regel vertegenwoordigen door zijn zoon Pierre, zes jaar ouder dan Aimé.
Pierre Matisse vestigde zich rond Kerst 1925 in New York waar hij zijn kunsthandel opzette en werk van veel Franse kunstenaars aan de nieuwe Amerikaanse musea en privé-verzamelaars wist te verkopen. Het is begrijpelijk dat Pierre als handelaar met de oudste rechten wantrouwig naar de nieuwkomer Maeght kijkt. Welbeschouwd worden ze gezworen concurrenten al maken ze dat nooit publiekelijk. Ook Yoyo Maeght zwijgt in haar boek daarover.
Maar in de brievenbiografie `Matisse, Father & Son' citeert John Russell een brief uit 1945 waarin Henri Pierre voor Maeght waarschuwt: "Vergeet niet dat hij wel eens je toekomstige vijand zou kunnen zijn."
Uiteraard bezoekt Pierre zijn vaders expositie bij Maeght met beelden, tekeningen, schilderijen en zelfs foto's die het scheppingsproces tonen. Hij vindt de tentoonstelling goed ingericht, maar van de entourage gruwt hij. Zijn vader schrijft hij: "Het lijkt wel een boudoir, een wachtkamer van een dokter die indruk wil maken op zijn rijke patiënten en maakt niet de indruk van een serieuze kunsthandel.
Ze denken dat ze het goed doen maar bereiken door die poenigheid juist het tegenovergestelde." Per kerende post valt Matisse zijn zoon bij: "Aimé Maeghts opvatting van elegantie is ronduit ridicuul."
In 1947 exposeert Maeght zijn enige avantgardistische expositie: een shockerende, surrealistische installatie van Joan Miró en Marcel Duchamp met een geblindeerde naakte vrouw. Marguerite Maeght kan er wel om lachen.
Anders dan de introverte Pierre Matisse is Maeght een levensgenieter en een man van het grote gebaar. In de jaren zestig wanneer zijn handel op haar hoogtepunt is fêteert Maeght zijn kunstenaars bijvoorbeeld op diners en logeerpartijen in zijn buitenhuis in St Paul de Vence en rijdt hij ze persoonlijk in zijn Rolls-Royce naar de Biennale van Venetië. Maar ook waagt Maeght zich aan nog niet gearriveerde kunstenaars zoals de Nederlandse broers Geer en Bram van Velde. Hun expositie in 1948 verkoopt slecht. Maeght beëindigt het contract maar koopt wel klein werk van Bram van Velde aan. In 1960 is het tij gekeerd en doen zowel de directeur van het Van Abbe Museum, Edy de Wilde en Willem Sandberg van het Stedelijk Museum in Amsterdam verwoede pogingen om bij Maeght een schilderij van Bram van Velde te kopen. De onderhandelingen mislukken. Beide gemeentemusea vinden de vraagprijs te hoog.

Het aanstellen van een directeur voor de lopende zaken in de galerie in Parijs geeft Aimé meer armslag voor de kunsthandel en het maken van buitenlandse reizen. In 1952 bezoekt Sandberg Maeght om een vroege Miró, `Hirondelle, amour' te kopen. Het doek moet zo'n 8000 euro kosten; te duur vindt Sandberg.
Pas na een Miró-expositie in het Stedelijk (1956) koopt hij negen, dan recente kleurenlitho's en een surrrealistische assemblage uit 1931 - voor zo'n 1200 euro - aan. Maeght schoot vaak onder Pierre Matisses duiven. Zo stelde hij alles in het werk om het wereldwijde alleenrecht op Giacometti te bemachtigen. Stokend in de lange vriendschap tussen de beeldhouwer en Matisse loog hij dat Giacometti hem al benaderde voor een expositie in zijn Parijse galerie. In 1953 op werkbezoek in New York verkoopt Maeght een nieuw beeldje van Giacometti door aan een Amerikaanse kunsthandel en schendt zo Matisses exclusiviteitsrechten.
Giacometti geeft daarop aan Matisse toe onnadenkend te hebben gehandeld en verbreekt later alle banden met Maeght.
Op vergelijkbare manieren pakt Maeght Miró en Chagall in: kunstenaars die Matisse dan al sinds hun armoedige, prille begin had vertegenwoordigd.
In dat opzicht bekijk je de Fondation Maeght anders. Met het op Amerikaanse leest geschoeide privé-museum, ontworpen door de Catalaanse architect Josep Luis Sert, die ook Miró's studio op Majorca bouwde, wil Maeght zich niet als handelaar maar als beschermer van de kunsten profileren. Hij nodigt dichters als Jacques Prévert en Louis Aragon. Giacometti maakt voor de binnenplaats een beeldenserie, Georges Bracque decoreert een "visvijver". De gewichtige Andé Malraux, president De Gaulles rechterhand en cultuurpaus opent in 1964 de Fondation. Bij het feest treden Duke Ellington, Ella Fitzgerald en Yves Montand voor de gasten op. Rondom een beeld van Miró wordt een artistiek ballet gedanst.

Aimé heeft twee zonen. Bernard, de jongste overleed op zijn 12e.
De oudste zoon, Adrien Maeght is minder extravert dan zijn vader. In 1956 begint hij voor zichzelf een nog steeds bestaande Parijse galerie onder zijn naam aan de Rue du Bac 42. In 1974 opende de familie in Barcelona, naast het Museo Picasso, nog een Spaanse galerie. Miró kan nu ook in eigen land exposeren.
Als Maeght Éditeurs vervaardigt de familie in eigen drukkerswerkplaats hoogwaardige grafiekedities. De door dichters geschreven kunstenaarscahiers `Derrière le Miroir' zijn vaak voorzien van een -op metaal in hoge oplagen- gedrukte kleurenlitho. De cahiers zijn op veilingen inmiddels hoog gewaarde verzamelobjecten.
Reizend door de VS legt Aimé onvermoeid nieuwe contacten met een jongere generatie kunstenaars. Colourfieldpainter Elsworth Kelly maar ook de New Yorker-illustrator Saul Steinberg komen bij Maeght exposeren. De Ier Francis Bacon maakt zijn Franse debuut bij Maeght in Parijs.
In haar fotoboek geeft Yoyo Maeght een liefdevol beeld zien van haar grootvader Aimé. Ook te zien is hoe zijn passie voor de kunst gepaard ging met een hoge dosis ijdeltuiterij. Het leverde Frankrijk evenwel een prachtig museum op. Het type kunst dat de huidige generatie Maeght brengt is te kenschetsen als beschaafd-moderne salonschilderkunst. Interessanter is dat Yoyo en haar zus Isabelle Maeght, dochters van Adrien, de archieven van de familie ontsluiten. Hun vader Adrien maakte al op jonge leeftijd foto's en super 8 films in de ateliers van de Maeght-kunstenaars. Een erg mooi privé-filmpje was verleden jaar nog in het Cobra Museum te zien: Alexander Calder voert, al mompelend, met zijn geknutselde fabeldieren een circusvoorstelling voor de meisjes Maeght op.
Als je zo'n heerlijke met kunst doordrenkte jeugd hebt gehad, vergeet je gauw de minder aangename kanten van je geliefde grootvader.

[as published in Tableau Fine Arts Magazine]

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